3rd Nov, 2015 12:00

Maritime and Scientific Models, Instruments & Art ('Encounter')

 
  Lot 174
 

174

[M] A FACSIMILE CROSS-STAFF AFTER THOMAS TUTTELL,...

A FACSIMILE CROSS-STAFF AFTER THOMAS TUTTELL, MODERN
the staff divided over four faces as in working practice, together with four shaped holly vanes with brass securing keys -- 31½in. (80cm.) long, main vane 20¼in. (51.5cm.) wide

The original ivory cross-staff, upon which is this example is based, is located at the Royal Museums, Greenwich, object number NAV0505. Thomas Tuttell worked between 1695 and 1702 from two London addresses and advertised a full range of instruments although very few survive. It is understood this example was commissioned in the late 1990s and accurately follows the original.

Estimated at £400 - £600

Condition Report
fine overall condition.

We are pleased to provide you with a general report of the condition of this property. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Charles Miller Ltd is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

 
A FACSIMILE CROSS-STAFF AFTER THOMAS TUTTELL, MODERN
the staff divided over four faces as in working practice, together with four shaped holly vanes with brass securing keys -- 31½in. (80cm.) long, main vane 20¼in. (51.5cm.) wide

The original ivory cross-staff, upon which is this example is based, is located at the Royal Museums, Greenwich, object number NAV0505. Thomas Tuttell worked between 1695 and 1702 from two London addresses and advertised a full range of instruments although very few survive. It is understood this example was commissioned in the late 1990s and accurately follows the original.

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