12th May, 2015 12:00

Maritime and Scientific Models, Instruments & Art (Sandwich)

 
  Lot 81
 

81

[M] A WAX RELIEF PORTRAIT OF NELSON BY CATHERINE...

A WAX RELIEF PORTRAIT OF NELSON BY CATHERINE ANDRAS, 1805
the 3in. bust-length image modelled in light-brown wax, signed and dated under the epaulette C. Andras 1805, mounted on black and contained within a period gilt frame with domed glass -- 6¼in. (16cm.) high

Catherine Andras, together with her adoptive father, Robert Bowyer, and John Whichelo were the last three artists to capture Nelson at Merton in September 1805. Andras's profile was immediately popular and drew praise from Lady Hamilton, and the Dean & Chapter of Westminster Abbey commissioned their life-size wax effigy to compete with Nelson's tomb at St. Paul's as a direct consequence. The profile was also much imitated by other artists, such as Tassie, for use on medallions.

Sold for £3,720
Estimated at £1,000 - £1,500

(inc. buyer's premium of 24%)


Condition Report
8mm hairline crack in hair just above forehead; frame cracked at 1 o'clock, some patches of wear to gesso and gilt commensurate with age.

We are pleased to provide you with a general report of the condition of this property. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Charles Miller Ltd is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

 
A WAX RELIEF PORTRAIT OF NELSON BY CATHERINE ANDRAS, 1805
the 3in. bust-length image modelled in light-brown wax, signed and dated under the epaulette C. Andras 1805, mounted on black and contained within a period gilt frame with domed glass -- 6¼in. (16cm.) high

Catherine Andras, together with her adoptive father, Robert Bowyer, and John Whichelo were the last three artists to capture Nelson at Merton in September 1805. Andras's profile was immediately popular and drew praise from Lady Hamilton, and the Dean & Chapter of Westminster Abbey commissioned their life-size wax effigy to compete with Nelson's tomb at St. Paul's as a direct consequence. The profile was also much imitated by other artists, such as Tassie, for use on medallions.
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